This article will explain the different types of compressors - from FET compressors to Optical compressors and beyond. Then, over time, you can add other classic compressors or specialized compressors to the mix.Ĭheck out this article if you want to learn more about how to use a compressor.
It will be able to solve so many challenges for you. That's why, if you can only get one compressor today, I'd recommend starting with the best digital compressor, the FabFilter Pro C-2. The modern compressors tend to be much more flexible, and include powerful features that the classics could only dream about. The most beloved classic compressors are:Įach of these compressors sounds and behaves completely uniquely.Īnd there's a bunch of other fantastic compressors that are similarly unique.įrankly, if you're really serious about producing, I'd recommend getting the best emulations available of each of these classic compressor, when you can afford it.īut there are also a lot absolutely amazing modern digital compressors that can do new and incredible things to sound. In fact, I wouldn't be surprised to find out that most recordings will have all of the classic compressors on them. These compressors or - ones very similar - can be heard on literally every recording you've ever heard. In the classical pantheon of compression, there are 4 giants. Others can really savagely clamp down on your sounds, allowing for inspiring tone shaping possibilities. Some compressors specialize in adding vintage warmth and saturation. That's why many producers have multiple compressors in their tool belt. Of course, there are other, more creative ways to use compression as well. When you use compression properly, you are able to maintain average loudness by controlling the loudest levels. Producers and audio engineers use compression to make their tracks sound more polished. In other words, a compressor will reduce the span between the softest and loudest sound. ✅ This is the best compressor plugin available todayĬompression is a technique used to limit the dynamic range of a signal.
0 kommentar(er)
